From the iconic stylist and fashion provocateur whose designs transformed culture - bringing the glitz of Studio 54 and the sophistication of Sex and the City to the mainstream - comes a playful yet intimate memoir of a life spent challenging conventions.
This memoir "Pages from the book of my life" is an important historical documentation about the survival of an Armenian revolutionary soldier during the ARMENIAN GENOCIDE, world war one era. It entails details about the resistance and survival of the Armenian people of MUSA DAGH.
A comprehensive overview of the technical and artistic skills and knowledge one uses in the graphic communications profession to produce communication through through print or digital media.
Your devotions, prayers, and a space for your ART work all in one coffee table book! A few short, but biblically powerful, notes to place in your NOOK area or for open group discussions. This book will establish Godly principals, ignite unwavering faith, provide unrestricted hope & renew your strength in God. And yes - it's aesthetically pleasing to the reader!
TearSheet PDX is a fashion magazine, published in Portland Oregon since 2018. The aim of TearSheet PDX is to offer a supportive, curated publishing outlet, for all artists inspired to create beauty, art, and style in fashion. This is a selection of images published through the end of 2019. Please visit tearsheetpdx.com for more information.
Mario Garcia, the man who redesigned The Wall Street Journal, The Washington Post, and over 700 other newspapers around the world, illuminates his storytelling strategies for the mobile news age.
Even in the world of professional design, marketing, and advertising, few really understand exactly what a true brand is, how to build one, or how to make it work as hard as it should. Removing the mystery and providing a crystal-clear formula for building a powerful and impactful brand, Flanagan makes it all incredibly easy to understand and use.
Tapping the subconscious: Post-digital automatism, new knowledge & the fear of a superficial history. An Andre Masson-esque approach to post-digital bookmaking, with a performative (and post-knowledge) mapping of German economics; the birth of sociology, and the six degrees of separation within avant-garde circles of the 20th century.